Come Look into my Kinetoscope & Nothing, Nothing Will Keep Us Together

Come Look into my Kinetoscope

As we pick through the charred rubble 
of language, I’ll find you something 
romantic, like the kind of streetlamps

they stopped making once Hollywood
started shooting its movies in color. I’ll say 
thank you for knowing my love language 

is fucking. I want to learn about so many
types of new insects.
I’ll whisper to you,
asking if you can imagine being in love 

on the Titanic & you will say yes, you can. 
Cinema spoke & made it so. I give up—
just take me to the ocean. Maybe that

can be our new religion, though I know 
that it gets cold out there on the water 
& it feels like I have so much to do 

before we leave. I need to call my mom
& tell her that I love her. I need to dub
over old Black Sabbath cassettes 

with recordings of me reading sonnets 
& place them gently in the cup holders 
of each of my friends' cluttered cars.


Nothing, Nothing Will Keep Us Together

Bowie's “Heroes,” Robert Fripp recorded 
three takes of his guitar line & it was only after
Tony Visconti decided, on a whim, to play 
all three of the guitar tracks simultaneously 
that they realized what the song wanted to be. 
I think about how much of our lives we might 
refer to as happy accidents, how no one really
has a plan. To be honest, I'm not interested 
in a house. I’m not interested in the physical 
structure of a house. I'm only interested 
in the linguistic representation of a house 
& the ways we choose talk around it. 
But we don’t talk about houses. We both live 
in apartments & no one can afford a plot 
of land without selling smoke & prayer. I will
knife open my chest to hand you my heart, 
but I won’t lose any blood. That was never 
what was at stake. You once told me that
everyone is more beautiful in the winter,
but I can't prove this. I can only retell it 
in my designated role as stenotype machine. 
There is nothing left to write about, so 
I will devote myself with religious fervor 
to the art of cliché. I’ll learn my techniques 
from the greeting card makers, write sappy 
poems for everyone I know & scatter them 
about like gospel tracts, hope some of them
grow into oak trees that last generations.
I'm tired of describing everything as liminal. 
I would like for something to be written 
on the return label, for the sidewalk to dry,
for our song to be pressed into vinyl forever.
Let’s stay focused & make do with what 
we have, even if we step off the plane with 
nothing but a guitar. For example: on David 

Nicholas Bon

Nicholas Bon is the author of My Circus Mouth (Ghost City Press, 2018) and the founder of Epigraph Magazine. You can find them at nicholasbon.com or on Twitter @1000000horses.

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Complete Indifference About the Body and Having One & I Know My History